Welcome to our blog. We have created this platform to share our ideas on the nature and intentions of patrician art
patronage and their collecting activities in Florence. But we also love to reach anyone who's interested in Florence and art history in general. We hope you enjoy it!
Because this is our very first post, we would like to tell you a little bit more about our project.
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Inventory, Archivio Salviati |
Our research group at the Rijksuniversiteit Groningen focusses on Florentine patricians and their art patronage under Medici Rule (1530-1670). The flourishing cultural life of the Florentine patricians during the
principate of the Medici has either been forgotten or ignored for a long
time. There has been little interest in patricians as commissioners of
palaces, villas and chapels, as participants in academies and
confraternities, and in patrician engagement in art, literature, theatre
and music. In the twentieth century historians have systematically
portrayed the patricians as sycophant courtiers, only interested in
gaining noble titles and estates. The fact that reality was much more
complex and dynamic, has become clear only in the last two decades.
Through ground breaking research in the field of socio-economic history,
prosopography and political science, the image we have of the Florentine
patrician is now changing, These studies show that patricians, as a
group, were still holding on to most of the economic and institutional
power they had obtained in the fifteenth century. The studies also show
that patrician diplomatic missions played an important role in the
arranging of marriages and foreign politics of the Medici. Remarkably,
this historical revisionism is taken up by very few art historians, even
though we now know that the contribution of patricians to the cultural
dynamics of early modern Florence was highly significant.
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Noble man, Francesco Salviati |
The ambition of our research group is to discuss the cultural contribution
of patricians to Florentine society and to approach it from an
interdisciplinary perspective. Questions we will address are: how
can we designate the dynamics, already observed in economical and
political studies, in the cultural field? How can we compare the cultural activities and ways of
self-representation of the patricians, to those of the Medici? Did
patricians facilitate or emulate the grand dukes? Or were they even
seeking to rebel against them? Were the cultural objectives of the
patricians homogeneous in character, or did they differ from one family
to another?
We hope you got excited by all these questions. We know we are! And we are looking forward to sharing our findings with you here.
See you again soon.
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